I don’t really care if my work is considered art – it is what it is.
The objects are not created with a particular audience in mind – and certainly not with a particular market in mind. They are meant to help me gain a different perspective on the world, to gain at least minimal access to reality. For me, the preferred means of achieving this are juxtapositions and alienation effects. Work samples Punx not dead (Urtyp), 2022; 27 x 8 x 41 cm; inkjet print of digital photo (2019) on foam board, lacquer, beer can tray Untitled (Planet B) 2022; 48cm x 28cm x 6cm; inkjet print of scanned instant photo (2021) on cardboard, lacquer, cleaning cloth, map, shipping box. Untitled (The Black Square) 2022; 70cm x 130cm; print of digital photo (2021) on foam board, black foam board. The Artist is absent object and performance, 2019; body print on chair, emulsion paint, lacquer Ideal landscape with nude 2022; inkjet prints of digital photos (2019, 2021) on foam board, lacquer, cardboard It’s the economy, stupid! 2019; Papier-mâché, Financial Times, paste, white glue L‘ oreille de l’artiste (The artist’s ear) 2021; plaster, acrylic paint, lacquer, blockboard, paper with typewriter lettering The Man with the Golden Helmet 2008, photo, cheese packaging, gold bronze, LED approx. 10x10x3cm Progress of civilisation 2021; inkjet print of digital photo on transfer foil on book (Immanuel Kant; Hugo Renner: Immanuel Kants Werke in acht Büchern. Leinen; A. Weichert; 1920) Untitled (cream cheese) 2021; inkjet printing of digital photo, foam board, lacquer, cream cheese packaging Academic study 2022; 12x26cm; inkjet print of digital photo (2021) on foam board, lacquer, polystyrene profiles, gold bronze The Dress 2021; inkjet print of digital photo on foam board, lacquer, shipping box Nasszellen 2021; inkjet print of digital photos on foam board, food packaging, lacquer The Black Square (In Its Own Juice) 2020, inkjet print of digital photo (2020) on foam board, lacquer, cardboard La Liberté guidant le Peuple 2019; Inkjet print of scanned instant photo (2010), chipboard, edge banding, lacquer, plastic film, approx. 12x15x2 cm Progress of civilzation 2019, Inkjet print of digital photo (2013), book, paint, lacquer, oil pastels Untitled (The Bride Stripped Bare) 2019; inkjet print of digital photos on foam board, lacquer, wire, dress model, cardboard box Levitation 2020; inkjet print of digital photo (2009) on foam board, polystyrene packaging Untitled gun study 2018, toy gun, concrete, plastic tube, latex Untitled (Velvet Series) 2013/2014; prints of scanned negative of FP3000B instant film on chipboard, velvet ribbon. Retired Machines 2014; Reproduction of instant film images on black MDF, plastic film. Deep Blue Sea 2014; Reproduction of instant film images on blue MDF, plastic film. The lost tribes 2013, prints of scanned negative of FP3000B instant film, dark grey foam rubber Dienstgipfelhöhe (service ceiling) 2012, reproduction of instant film negatives and quartet cards on foam board Read more about LicetBovi | Klas Rühling Current